"Apache Indian and Kanda" - Frist AC (Music Video)
For this project, I served as the first camera assistant, where the majority of my work involved focus pulling. However, due to technical issues with the transmitters, I encountered a minor problem when pulling focus with my monitor.
Although I did do some Focus pulling using my Tilta Nano 2 for the majority of this particular shoot, we ended up using the autofocus lens instead.
I spent most of my time on this production assisting our gaffer, Ollie, with setting up and de-rigging lights, and helping Gurge where I could with transporting cameras. and pulling Focus
"Reckless" - Frist AC (Music video.)
My frist official credit as a 1st camera Assistant,
using a Nucleus M, working under the DOP Pedro Patricio Pacheco Mtz, and shooting on a Sony FX6.
"Chaiiawala" - Second AC.
I was the 2nd AC for this project and I assisted in the moving and set of kits with the DOP Gurjant Singh, this advert was shot in Birmingham.
"Wicked Witch." - Second AC.
Wicked Witch 95 pages shot in six days possibly the most intense film shoot I have done but working with the director of photography Jack Walsh we smashed this out of the ballpark it was an absolute pleasure to work with Jack again and I cannot wait for this film to come out.
"Get Khan Back." Second AC
this was a single day's worth of shooting working under Gurjant Singh I was mainly the second camera assistant just helping Gurjant set things up and doing clapper board I also ended up doing a bit of lighting on this one but nothing major was filmed in Birmingham and Wolverhampton and looking forward to seeing this one come up to.
"Frist Day." - Second AC
The first day was a fun short film that I worked on this was again a single-day shoot I was predominantly second day see and clapper board for this I also gave our gaffer some assistance in terms of moving and setting up lights as this was a very timely constraint Project.
"The Rozzer." - 3rd AC (Camera Trainee)
A fantastic short film to be a part of I was the third AC / trainee I supported our second AC and first AC as much as possible became the AC to our second camera operator who turned up on day two where I assisted in the building of the Mavo LF 6k cinema camera which is one of the strangest cameras I've ever had the joy of working with.
Among my standard duties as an AC, I was also tasked with doing the dip at the end of each day thankfully this was just a simple transfer of footage no editing or assembly edit was required of me.
Cursed Mermaids 2- second AC (feature film pickups)
These pickups were purely for underwater scenes, so we went to a studio in Peterborough where my role had changed from behind-the-scenes videographer and photographer to second AC.
Again I performed my duties as a second AC supporting the first AC and DP where possible, I was not required to do D.I.T as the DP was going to do that once he arrived home, I assisted with the setting up of equipment and the Takedown of equipment, as well as driving actors to & from the station.
Again I performed my duties as a second AC supporting the first AC and DP where possible, I was not required to do D.I.T as the DP was going to do that once he arrived home, I assisted with the setting up of equipment and the Takedown of equipment, as well as driving actors to & from the station.
"Bikkini Nuns." Second AC.
Bikini Nuns is a very weird film. I ended up doing several roles for this film, the main one being second AC, but I was also a spark and ended up having a cameo at the start of the film, where I was executed.
This is again a champ dog film I worked with Louisa Warren as the producer on this film my duties, I was as a driver for this film I transported roughly half of our camera and lighting equipment to and from the location each day as well as drove to Houlam to meat our DP for the week, but my main role was as a 2nd AC were to support the first AC DP the first AC and director of photography as much as possible keeping notes of camera settings and lens change as well as maintaining the clapper board and keeping that up to date for the duration of the film this film was shot in six days in Wales we had roughly 85 to 90 odd pages to film.
"Passion Play."
Passion Play A Good Friday theatre play about The Rise and Fall of Jesus Christ I was a broadcast camera operator this was a single-day shoot and was using a Panasonic ultra 4k connected to a very large monitor for the audience to observe what was happening on stage for those of the back of the Crowd.
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